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Reel Breakdown
Mr. Peabody & Sherman (00;00;05;13)
- Sequence Lighting Supervision
- High complexity sequence with over 20,000 crowds
How to Train Your Dragon 2 (00;00;34;00)
- Shot Lighting
- Heavy FX shots with voxel lighting. Worked with the FX department to reduce rendering times and make interactive Lighting work a possibility.
- Hero shot
Mr. Peabody & Sherman (00;00;54;22)
- Sequence Lighting Supervision
- Multiple locations
Megamind (00;01;42;06)
- Lead work on unique shots on a very tight schedule, helped finish the film on schedule.
Mr. Peabody & Sherman (00;01;50;17)
- My team of lighters were delayed finishing “Guardians”. I stepped in and lit this whole sequence myself. It was a great opportunity to catch up with the latest techniques, keeping my skills current. And it was a lot of fun.
Madagascar 2 (00;02;01;24)
- Sequence Lighting Supervision
- Multiple locations
- Heavy crowd shots. Anticipated issues and optimized all characters in visual development stage.
- Built and supervised all character manes and tails.
- Cleaned up all legacy characters, reducing rendering times by 65%.
Mr. Peabody & Sherman (00;02;21;20)
- This is a beautiful sequence that was extremely challenging and costly when we first bid it. Working with the creative team we were able to simplify it, preserving the essence of the aesthetic, and reduce the cost..
Shrek The Third (00;02;38;16)
- Gingy’s flashback sequence gave me an opportunity to keep my skills current and do what could have been an expensive sequence of one-offs with no re-use, in a short amount of time.
Shrek (00;02;48;04)
- This movie was a turning point in my career as I became Fiona’s Master Lighter. I was able to create and optimize her rig that served as a template for the other lighters. I also worked on her dress shaders and painted every stitch of gold embroidery in her bodice.